From 6301ccad0b234c3b360e8932585b88a24aa3e7c0 Mon Sep 17 00:00:00 2001
From: Tereza Jarnikova <tjarnik@gmail.com>
Date: Wed, 5 Feb 2025 15:06:52 +0000
Subject: [PATCH] typo

---
 cti/202501dylan.html | 4 ++--
 1 file changed, 2 insertions(+), 2 deletions(-)

diff --git a/cti/202501dylan.html b/cti/202501dylan.html
index 892e1f6..1533cb7 100644
--- a/cti/202501dylan.html
+++ b/cti/202501dylan.html
@@ -101,8 +101,8 @@ <h2> 2025-01 </h2>
  interview with a roboticist / animal-behaviour scientist.) 
  <br><br>
  One of the many portraits & pictures dotting the walls of that place is this portrait of Dylan Thomas, which I’ve always liked. 
- Two vague associations on that front: this (<a href= "https://cassandragillig.bandcamp.com/track/do-not-cant-stop-into-that-good-night">this</a> 
- from Put Me In Charge of a Poetry Magazine, found by MŠ over a decade ago now) 
+ Two vague associations on that front: <a href= "https://cassandragillig.bandcamp.com/track/do-not-cant-stop-into-that-good-night">this</a> 
+ (from Put Me In Charge of a Poetry Magazine, found by MŠ over a decade ago now) 
  and <a href= "https://dumbnonsense.blogspot.com/2014/12/do-dobre-noci-neodchazej-tise.html">this</a>  
  Czech translation (by Martina Neradová, apparently?) of Thomas’s probably most famous poem, which I find remarkable. It’s hard to translate poems well, 
  and this translation has both the cadence & the energy of the original.