diff --git a/CutNet.txt b/CutNet.txt new file mode 100644 index 0000000..f3cc7bd --- /dev/null +++ b/CutNet.txt @@ -0,0 +1,71 @@ +Ok, here's my idea for a project: +It's a method of p2p webhosting which allows people with good ideas for websites to run quality, high traffic sites for free +Basically it's html over a new p2p protocol which I'd have to optimize for very small files +So in order to use the protocol, your browser has to adhere to certain demands. + Every time you visit a site using the protocol, your browser may need to agree to host the site for a limited amount of time. + How does the client know where to request the resource? + Maybe you could store a rather large file mapping resources to peers + How do clients obtain this file? + There could be a central server (or many) which distributes the map file + Maybe the ISP could store the file + In this case you might not even need to download the whole thing + To speed things up you could download just the mapping you need to access the page you're requesting and pages close by (linked in few degrees) + This could be done on the client side by just requesting all linked page mappings in advance + Or done by the server by storing a mapping of sites linked together + Maybe the ISP could even facilitate peer hosting as close as possible + + How is this file updated? + Ok, maybe you send the map server like ten fast UDP messages just letting it know that you're online + Actually, this would just be part of the request for the map file + If we decide that the map file will hold information about which peers are online, it will be updated in this way + This is a security risk, it's important that folks are recieving the correct files. + + Maybe distribute some open source router firmware which automatically handles map storage along with routing tables + Thats a ways down the road though + Maybe space could be saved by assigning peers a shorter index than their IP address and then mapping this to their IP elsewhere + This might be ultimately advantageous if the peer will be mentioned many times within the map file + There are significantly less peers on this network than computers with IP addresses + With millions on millions of extraneous references to IP addresses reducing a 32 bit address to 16 bits would be a significant help + How would sites begin? + Ultimately the goal would be to have a number of seeds which is reasonable and proporionate with respect to the amount of web traffic the site is recieving + So perhaps, every time you visit a site, you're agreeing to host a small peice of it + Sites which are just starting up can't be served by a single machine, we are trying to create a stable and reliable system + So new sites would have to have a handful of peers dedicated to serving their pages + Maybe give them somewhere between 3-5 peers in eery timezone + Doesn't really matter if people are establishing an unweildly amount of websites o abusing this nursery program. If they're recieving a lot of traffic, they will soon have more peers to + + Would it use TCP? + That's what I've been assuming up to this point. I'm not sure if p2p file transfers use TCP, it makes sense for them to, as you need duplex transfers to simultaneously indicate the names of the files you need and recieving relevant data. + For p2p exchange of tiny files, it makes more sense to just iterate through the list shooting out requests until it recieves a response + Maybe UDP would be more appropriate + or maybe something else + What about server side proccessing? + Shit nig, I dunno! + + What about data bases? Commerce? + Commerce requires client side processing I guess, which is hard to demand from a peer. + + Implementation over TLS? + Seems pointless since there's no way to verify the intent of a peer. + + In order to reduce the amount of storage required for the mapfile, resources can be grouped into pseudo-domains in which many related resources are clustered together and located via an index page + So the map file directs you to peers who have this index page for the site, then the index file (which is updated constantly) directs the client to peers who have the resource in question + how would this be updated? + ... + Perhaps this is downloaded in a cluster to increase browsing speed + This might be best left to a browser + Although, it would simplify things for client peers if the server peers contained all resources in their pseudo-domain + So maybe you SHOULD have to download and upate all resources within a pseudo-domain + + When pseudo domains get updated by their ownder + A flag is set on the mapfile and peers initializing their browsers will update the resources on their drive + This would have to have recursive behavior within the index files on pseudo-domains + once a client peer downloads the latest index file, it shows them the last-modified dates of the files they point to + + Security concerns + Obsviously there's a concern about authentication, how do you know the files you're downloading are the ones you've requested? How do you know the mapfile hasn't been maliciously altered? + Hash authentication + + + Mapfile should probably keep track of the dates which clients last accessed a site, then release them from seed duties after a certain amount of time (assuming the number of peers is above a certain minimum to serve a negligabley small amount of traffic). + diff --git a/csjournals.txt b/csjournals.txt new file mode 100644 index 0000000..4ca2eac --- /dev/null +++ b/csjournals.txt @@ -0,0 +1,5 @@ +http://www.arxiv.org + +http://dl.acm.org + +www.computer.org/csdl diff --git a/datnovel.txt b/datnovel.txt new file mode 100644 index 0000000..fdd851a --- /dev/null +++ b/datnovel.txt @@ -0,0 +1,7 @@ +Character who is accutely allergic to cats, can sense when one is in the area + +the protagonist always approaches problems completely objectively, providing a platform to make an argument for moral objectivism + +Disease is rampant, but curable. Worsening climate, polluted air and water make a haven for otherwise fightable bacterium and viruses. + +Character is in a legally compromising situation when he sees an act of terrorism in the making, explosive is planted in some kind of public transportation and he understands that many people will die. Because of his gui diff --git a/deadkidinthesink.txt b/deadkidinthesink.txt new file mode 100644 index 0000000..0d9bc0a --- /dev/null +++ b/deadkidinthesink.txt @@ -0,0 +1,26 @@ +bouncy, jubilant + +dead kid in the sink +and I think it's a +world of too- tomb- tumeric + +boo boo bouncing on someone elses back +rub my knuckle nerves +give me a switch blade + +Gabriel's pretending he's the sargeant +at compound doubleyou take away the sunburns + +she's got the wax flit calm with it +taking a wheel to the sky +if you want to get high + +She looks dead when she's sunbathing +I hope the sand sticks to her skin + +dumb diddos get the corn out your tum-mee +and run me + + +//whatever his name was// appears to have been on drugs at the time he was stran +gled <--> therefore it must have been at around 2 in the morning/ diff --git a/dexterlyrics.txt b/dexterlyrics.txt new file mode 100644 index 0000000..4891dbd --- /dev/null +++ b/dexterlyrics.txt @@ -0,0 +1,67 @@ +I'm just crude enough to be clever + +Lick-lined lips for colored chips + +smaller shallots have more intense flavor than the large ones + +Our children don't know nothing we don't teach 'em + +Just loose enough to get my mind clean + +She's saying something that's going to affect me, but I can't take my eyes off the glass and the lights + +Calloused mouth from sipping boiling water + +Washed down by booze men made from flesh + +Cops, cats, coccoons coccaine and death + +Wash my view out with the sky + +Ain't nothing but carbon in my lungs + +Dunno what I've become 'till I've became + +We distribute a hunred thousand feelings a week + +Kush, kicks, kanoos, king kong, and chess + +Lead paint and gasoline, put it in your pipe and toke + +One time you told me that I was nothing but a fat-ass and a joke + +It's sad but it's true 'cuz your not the only shrew I poke + +clinically cynical miracle master murdermind + +redevue with those grey demons fast on a track to philosophy + +hard to find anybody as soft rock as me + + +if thats slanderous than pimpery is panderous + +scrape screeens in skinny jeans; + +My parents don't know that I can hear them through the walls + +If the bed is too small we can sleep in the tub + + +I know that it's fine 'cuz there's blood on the sun + +there's a scratch on her lips where a hand used to be + +There's a star on her hat, stats in cahoots with a kissing booth + +fish scales, dragon tales, tax the television sales + +I can't recieve what I already have + +I can't bathe in the body I am + +I can't believe in the liquid I cling to + +I cannot raise myself to be a man + +Taking diff --git a/film/allnight.txt b/film/allnight.txt new file mode 100644 index 0000000..1432712 --- /dev/null +++ b/film/allnight.txt @@ -0,0 +1,185 @@ +scramble the frames at a medium low framerate while maintaining a more or less linear flow of the images + +show a series of medium close ups of people doing random things, concealing their eyes every time. Show a series of close ups of people doing the same things in a scrambled order while breaking the fourth wall and revealing just their eyes. perhaps this whole thing would be interlaced with character movemets. + +MCU of couple lying under a tree at night. Frame is altered to appear convex. fish eye or whatever. With the center of the frame dividing them. + +take a panorama image and shape it into a bow, then have a character walk around it + +cover up one vertical half of the screen with a character's profile, the other half a haphazardly tilting + +for the fourth all night when the drums drop out, close up on the male's eyes, looking very tired, then glancing slightly off screen, then (maybe looking at the camera) curl subtley into a smile + +show interlacing shots of flashbacks of the couple getting ready in their respective households (graphically matched, possibly with parallel placement in its positioning along side the song) + probably the dirtier side of getting ready, putting paste in the guys hair, wiping three timesor washing genitals. + extra attention to normal hygienic activities + both are visibly filled with giddy nervous energy about the meeting + show the guys hair being jelled as a cut from the girl ruffling it and similar things to provide graphical relevance + + + + + +reverse the track for one long shot of a character walking backwards + + +observations about the song itself: + Structure: + sloppy low fidelity bass intro + :09 + intro + guitar apreggio plays 4 times before drums come in + + drums and guitar play together 4 times then vocals + + vocal verse 1 + phrases devided into four measure loops, then four measures of major 7th variation and repeated + phrase 1 + + slight drop in the temperature + callous something but you'll never something in time + is captured, white out + phrase 2 + :42 + see the city something something something somethig + watch the rain drops cover the place + do you mind? + do you mind? + :58 + bridge + phrase 3 - different + no, no, no, no, no I don't + no, no, no, no, no I don't + no, no no, no no I don't + no, no, no, no, no I don't + 1:15 + phrase 4 + roller coaster on whooooo + toniiiiiight + rollar coaster on whoooooooo + toniiiiiight + rollar coaster on whoooooooooooooo + 1:39 + chorus + all night * 4 + third is aggressive final attempt, fourth is futility and submission + 2:18 + four repeats of a militant reload + verse 2 + phrase 1 + starts like phrase 1 but more aggressive + the seventh chords get the beginning of a scream + phrase 2 + gets quieter and more submissive the second time + bridge + vocals drop out where the 'no i don't's used to be + phrase 4 + chorus + identical, pretty much + the march at the end is sort of a dying spider arpeggiation which continues + the drums starts concluding, then let it ring once more, then starts hitting the crash every measure until it drops out + lets the guitar get in the last lick + drops out to laughing children + + + + +rough sb: + sloppy low fidelity bass intro + --close ups of pictures of a young woman, sometimes as a baby, mounted on a wall + --sort of teases a zoom out + --reveals a sleeping middleaged couple in bed + --shows aperture of the doorway young woman will walk past + :09 + intro + guitar apreggio plays 4 times before drums come in + --she walks with the rhythm of the picking + --illuminated in the doorway, and looks in + --maybe do something weird where you fade out the rest of the picture except the doorway + --might be too early, can decide later + + drums and guitar play together 4 times then vocals + --camera follows close behind her head as she walks out of the house, under some trees, a shitty car comes into view with its lights off + + + vocal verse 1 + phrases devided into four measure loops, then four measures of major 7th variation and repeated + phrase 1 + + slight drop in the temperature + --breif shots in the interior of the moving car, [a hand on a thigh](not yet), key spins in the ignition, maybe a shitty aux plugged ipod playing the say woos + callous fingers but you'll have it first in time + is captured, white out + --quick, swirling wash out + phrase 2 + :42 + see the city something something something somethig + --an overexposed shot of a street light calms down and adjusts, then tilts down to the couple holding hands, joint in hand, getting rained on, lying down on the windsheild and looking at the sky + watch the rain drops cover the place + --shot from inside the car of them lying close and passing joint, synchronize the rain drops with the guitar's arpegiation by using hidden matte's pasting over all areas of the car without drops all over areas with drops, allowing them to drop one at a time in rhythm + do you mind? + --shot reverse shot of an exchange of smiles + do you mind? + :58 + bridge + phrase 3 - different + --cuts double in pace, two shots per line, both are laughing and giddy, and soaked in a hella sexy way + no, no, no, no, no I don't + --chasing her with a water gun, (or mud balls) she slips, he has to jump over him + --maybe just throwing mud actually + no, no, no, no, no I don't + --exchange of front shots of the couple on the merry go round, or whatever that wheel contraption is called + no, no no, no no I don't + -- + no, no, no, no, no I don't + --sprinting and taking clothes off + --censored ass shot of jumping into the lake nude + 1:15 + phrase 4 + roller coaster on whooooo + --jerk cut to smiling and contented looking couple in the car. Girl in the foreground with the window down, feeling the breeze + toniiiiiight + --fella turns head to look on affectionatley + rollar coaster on whoooooooo + --maybe a hand on a thigh here + toniiiiiight + --then a hand on that hand + rollar coaster on whoooooooooooooo + --the same hands in an indoor setting, zoom out to reveal an apartment staircase, girl is being led up + 1:39 + chorus + all night + --the instant as they walk into the door, the young man's face changes expression and becomes sinister, pulls her by her hair and throws her against + --Girl opens her mouth to scream as the droning background scream comes on in the song + --On the crash symbol, he throws down some ceramic or glass object on the girl who is concealed by some furniture + all night + --Viscous running blood against fragments of whatever was thrown + --Walls shown with just a couple dots of blood appearing on them, maybe next to a relevant painting or something + all night + --Non-diegetic shots of meat being processed and butchered, maybe interlaced with something diegetic, maybe not + --Young man's hands pulling out paper plate next to that picture of sersei isowa's plates or whatever that japanese cannibal's name was + all night + --Young man is at the kitchen counter leaning in to take a bite of some meat + --As he turns his head to the side, the girl appears in his arms and they mack hard and breif + --------------------This is where I had to stop due to batteries, but I was thinking the babe would kill him in the next chorus and maybe put him in a blender and bathe in him + --at the end, they're both looking into each others eyes and then break the fourth wall and smile wildly as their mouths overflow with blood and it fades out + --maybe parked in front of a playground or something + --nah + 2:18 + four repeats of a militant reload + verse 2 + phrase 1 + starts like phrase 1 but more aggressive + the seventh chords get the beginning of a scream + phrase 2 + gets quieter and more submissive the second time + bridge + vocals drop out where the 'no i don't's used to be + phrase 4 + chorus + identical, pretty much + the march at the end is sort of a dying spider arpeggiation which continues + the drums starts concluding, then let it ring once more, then starts hitting the crash every measure until it drops out + lets the guitar get in the last lick + drops out to laughing children + diff --git a/film/ishouldbuildawebbot.txt b/film/ishouldbuildawebbot.txt new file mode 100644 index 0000000..3d84c95 --- /dev/null +++ b/film/ishouldbuildawebbot.txt @@ -0,0 +1,13 @@ +That scours IMDB looking for b-list acters, gathering their contact information and a couple movies they've been in +actually I'd probably have to just find their names, then locate and extract information from facebook/linkedin whatever +then it will automatically email all of them with a personalized message saying +'yo I'm an independant film maker +I saw you in blah blah blah and blah blah blah +I have a role I think you would be just perfect for +Can't pay you upfront, +you're guarenteed so and so amount if this film is ever sold +likely just to be shown at independant film festivals +let me know if you're even remotely interested in working with me or doing independant films at this point in your career +and we can talk about the substance of this project in more depth' + + diff --git a/film/kimjongilonfilm.txt b/film/kimjongilonfilm.txt new file mode 100644 index 0000000..242ee31 --- /dev/null +++ b/film/kimjongilonfilm.txt @@ -0,0 +1,76 @@ +n a director's job description: + +"The director is the commander of the creative group. He should have the overall responsibility for artistic creation, production organization and ideological education and guide all the members of the creative team in film-making." + +On comparing a film set to a warzone: + +"Just as victory in battle depends on the leadership ability of the commander, so the fate of the film depends on the director's art of guidance." + +On working well with others: + +"In film directing, the basic factor is to work well with the artists, technicians, and production and supply personnel who are directly involved in film-making." + +On the duty of the filmmakers as a whole: + +"The basic duty of the creative group is to make revolutionary films of high ideological and artistic value, which make an effective contribution to arming people fully with the Party's monolithic ideology and which imbue the whole of society with the great Juche idea." + +And why they shouldn't be vague: + +"Artistic guidance to individual creative workers must always be specific. If the director only gives general guidance and indications, he cannot give them any substantial help or lead them confidently to achieve his aims." + +On liking certain films better than other films: + +"Seeing a production once is different from seeing it twice. One wants to see some productions again, but not others. A certain production awakens fresh interest each time one sees it and excites greater passion and warmth. This sort of production is called sincere art." + +On reality and emotion: + +"Not everything in life rouses the emotions amply because reality is the basis of emotion and emotion is a particular way of reflecting life." + +On hooking the audience early: + +"Emotions in a film should be defined so that they capture the hearts of the audience from the very first scene." + +On avoiding the traps of star-casting: + +"The director should not merely consider a few well-known actors, but should consider many others." + +On looking beyond the actor's resume: + +"It is true that actors should be prepared to portray any character at any time, but since every one of them has different creative individuality, he may be well-suited to one character but not to another." + +On costume design: + +"In a film about the life of a saleswoman, the heroine was made to change her clothes a number of times for no particular reason." + +On what a cameraman can do with his or her camera: + +"The cameraman is the creator of images who, with a cinematic eye, assesses the portrayal by the actor and the artistic interpretation to be projected onto the screen and finally captures them on film." + +On when a film needs sound design: + +"Sound and music are heard wherever nature works and man lives." + +On appropriate times for a good tune: + +"However excellent the music, it is useless for the cinema if it is not appropriate to each scene." + +On the secret of editing: + +"The secret of editing is to create diverse emotional changes, yet achieve a single cinematic flow in the film as a whole." + +But editing is so much more than what you people think: + +"Some people regard editing as a creative process that happens after filming. They are mistaken. Editing is by no means just cutting." + +On incorrectly labeling the assistant director: + +"It is wrong to regard the assistant director as a person who has failed to become a director or as a trainee director…Under the socialist system of film-making, the assistant director carries out in all matters the duties of a true assistant director." + +On being satisfied with your job, overall: + +"A true assistant director finds his creative work of loyally assisting the director in his creative activities worthwhile, so that the latter creates an excellent cinematic presentation." + + +You can buy his book, "On The Art of Cinema" and be the greatest if you learn from the late great master, Kim Jong Il + + diff --git a/film/shark-infestation/shotsbylocation.aux b/film/shark-infestation/shotsbylocation.aux new file mode 100644 index 0000000..f23e546 --- /dev/null +++ b/film/shark-infestation/shotsbylocation.aux @@ -0,0 +1 @@ +\relax diff --git a/film/shark-infestation/shotsbylocation.log b/film/shark-infestation/shotsbylocation.log new file mode 100644 index 0000000..454bf3a --- /dev/null +++ b/film/shark-infestation/shotsbylocation.log @@ -0,0 +1,120 @@ +This is pdfTeX, Version 3.1415926-1.40.10 (TeX Live 2009/Debian) (format=pdflatex 2012.2.8) 24 FEB 2012 11:18 +entering extended mode + %&-line parsing enabled. +**shotsbylocation.tex +(./shotsbylocation.tex +LaTeX2e <2009/09/24> +Babel and hyphenation patterns for english, usenglishmax, dumylang, noh +yphenation, loaded. +(/usr/share/texmf-texlive/tex/latex/base/article.cls +Document Class: article 2007/10/19 v1.4h Standard LaTeX document class +(/usr/share/texmf-texlive/tex/latex/base/size12.clo +File: size12.clo 2007/10/19 v1.4h Standard LaTeX file (size option) +) +\c@part=\count79 +\c@section=\count80 +\c@subsection=\count81 +\c@subsubsection=\count82 +\c@paragraph=\count83 +\c@subparagraph=\count84 +\c@figure=\count85 +\c@table=\count86 +\abovecaptionskip=\skip41 +\belowcaptionskip=\skip42 +\bibindent=\dimen102 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6163 words of font info for 22 fonts, out of 3000000 for 9000 + 28 hyphenation exceptions out of 8191 + 22i,6n,19p,378b,187s stack positions out of 5000i,500n,10000p,200000b,50000s + +Output written on shotsbylocation.pdf (2 pages, 65973 bytes). +PDF statistics: + 29 PDF objects out of 1000 (max. 8388607) + 0 named destinations out of 1000 (max. 500000) + 1 words of extra memory for PDF output out of 10000 (max. 10000000) + diff --git a/film/shark-infestation/shotsbylocation.pdf b/film/shark-infestation/shotsbylocation.pdf new file mode 100644 index 0000000..459c518 Binary files /dev/null and b/film/shark-infestation/shotsbylocation.pdf differ diff --git a/film/shark-infestation/shotsbylocation.tex b/film/shark-infestation/shotsbylocation.tex new file mode 100644 index 0000000..f5449c4 --- /dev/null +++ b/film/shark-infestation/shotsbylocation.tex @@ -0,0 +1,53 @@ +\documentclass[12pt,A1]{article} +\author{Production Event Listing Organized by Location} +\title{Shark Infested Waters} +\date{\today} +\begin{document} +\maketitle + +\textit{This document is intended as a clear markup of the tools, persons and time required for production. Note that the elements listed are a listing of production time-blocks, abstracted from the specific shots that will take place within them. The following is organized numerically by the amount of resources required for each event. } + +\begin{enumerate} + +\item \textbf{Stand Up Chromakey: \textit{Mermaids}} \newline +\textit{} \newline + +\item \textbf{Parked Car Chromakey: \textit{Yoeman's Omen}} \newline +\textit{} \newline + +\item \textbf{Rope Chromakey: \textit{Yoeman's Omen}} \newline +\textit{} \newline + + +\item \textbf{Julius's Chromakey: \textit{Julius}} \newline +\textit{} \newline + + +\item \textbf{Kitchen: \textit{Damsel, Yoeman's, Pirates}} \newline +\textit{} \newline + + +\item \textbf{Living Room: \textit{Pirates}} \newline +\textit{} \newline + + +\item \textbf{Porch: \textit{Pirate}} \newline +\textit{} \newline + + +\item \textbf{Balcony: \textit{Pirate}} \newline +\textit{} \newline + + +\item \textbf{Basement: \textit{Damsel, Gabe}} \newline +\textit{} \newline + + +\item \textbf{Cockpit: \textit{Yoeman's Omen sans Gabe}} \newline +\textit{} \newline + + + +\end{enumerate} + +\end{document} diff --git a/film/storyconstraints.jpg b/film/storyconstraints.jpg new file mode 100644 index 0000000..7a266de Binary files /dev/null and b/film/storyconstraints.jpg differ diff --git a/interestingsensations.txt b/interestingsensations.txt new file mode 100644 index 0000000..cee781f --- /dev/null +++ b/interestingsensations.txt @@ -0,0 +1,5 @@ +The occasional interjection of metal on metal, seeming to set the stage for a murder. + This might be metal changing density with a shift in temperature and rubbing up against itself + Relative silence in the middle of a city. Like the time on broadstreet and 33rd where you could hear birds singing and the occasional car rolling over wet pavement, but feel the surreal absence of typical urban ambiance (honking, sirens, yelling) + Going into an upscale department store and trying on every perfume + diff --git a/randomnotes.txt b/randomnotes.txt new file mode 100644 index 0000000..569c09f --- /dev/null +++ b/randomnotes.txt @@ -0,0 +1,7 @@ +Sinthasomphone + +There is no scientific evidence +to support the idea +that life is serious +things that make us happy, make us wise + diff --git a/storyidea b/storyidea new file mode 100644 index 0000000..1f36fde --- /dev/null +++ b/storyidea @@ -0,0 +1,4 @@ +nomadic furniture refirbrisher with a dog +passionate about his work, treats it as an art + +romantic interest has eating disorder and watches cookie shows obsessively