The state of my notes when I began using git for version control

CutNet.txt

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+Ok, here's my idea for a project:
+It's a method of p2p webhosting which allows people with good ideas for websites to run quality, high traffic sites for free
+Basically it's html over a new p2p protocol which I'd have to optimize for very small files
+So in order to use the protocol, your browser has to adhere to certain demands.
+    Every time you visit a site using the protocol, your browser may need to agree to host the site for a limited amount of time. 
+    How does the client know where to request the resource? 
+        Maybe you could store a rather large file mapping resources to peers
+    How do clients obtain this file?
+        There could be a central server (or many) which distributes the map file  
+        Maybe the ISP could store the file
+            In this case you might not even need to download the whole thing
+                To speed things up you could download just the mapping you need to access the page you're requesting and pages close by (linked in few degrees)
+                This could be done on the client side by just requesting all linked page mappings in advance
+                Or done by the server by storing a mapping of sites linked together
+            Maybe the ISP could even facilitate peer hosting as close as possible
+
+    How is this file updated?
+        Ok, maybe you send the map server like ten fast UDP messages just letting it know that you're online
+        Actually, this would just be part of the request for the map file
+        If we decide that the map file will hold information about which peers are online, it will be updated in this way
+        This is a security risk, it's important that folks are recieving the correct files.
+
+    Maybe distribute some open source router firmware which automatically handles map storage along with routing tables
+        Thats a ways down the road though
+    Maybe space could be saved by assigning peers a shorter index than their IP address and then mapping this to their IP elsewhere
+        This might be ultimately advantageous if the peer will be mentioned many times within the map file
+        There are significantly less peers on this network than computers with IP addresses
+            With millions on millions of extraneous references to IP addresses reducing a 32 bit address to 16 bits would be a significant help
+    How would sites begin?
+        Ultimately the goal would be to have a number of seeds which is reasonable and proporionate with respect to the amount of web traffic the site is recieving 
+        So perhaps, every time you visit a site, you're agreeing to host a small peice of it
+        Sites which are just starting up can't be served by a single machine, we are trying to create a stable and reliable system
+        So new sites would have to have a handful of peers dedicated to serving their pages
+            Maybe give them somewhere between 3-5 peers in eery timezone
+        Doesn't really matter if people are establishing an unweildly amount of websites o abusing this nursery program. If they're recieving a lot of traffic, they will soon have more peers to 
+
+    Would it use TCP?
+        That's what I've been assuming up to this point. I'm not sure if p2p file transfers use TCP, it makes sense for them to, as you need duplex transfers to simultaneously indicate the names of the files you need and recieving relevant data.
+        For p2p exchange of tiny files, it makes more sense to just iterate through the list shooting out requests until it recieves a response 
+        Maybe UDP would be more appropriate
+        or maybe something else
+    What about server side proccessing?
+        Shit nig, I dunno!
+
+    What about data bases? Commerce? 
+        Commerce requires client side processing I guess, which is hard to demand from a peer. 
+
+    Implementation over TLS?
+        Seems pointless since there's no way to verify the intent of a peer.
+
+    In order to reduce the amount of storage required for the mapfile, resources can be grouped into pseudo-domains in which many related resources are clustered together and located via an index page
+        So the map file directs you to peers who have this index page for the site, then the index file (which is updated constantly) directs the client to peers who have the resource in question
+        how would this be updated?
+            ...
+        Perhaps this is downloaded in a cluster to increase browsing speed
+            This might be best left to a browser
+            Although, it would simplify things for client peers if the server peers contained all resources in their pseudo-domain
+                So maybe you SHOULD have to download and upate all resources within a pseudo-domain
+
+    When pseudo domains get updated by their ownder
+        A flag is set on the mapfile and peers initializing their browsers will update the resources on their drive
+        This would have to have recursive behavior within the index files on pseudo-domains
+            once a client peer downloads the latest index file, it shows them the last-modified dates of the files they point to
+
+    Security concerns
+        Obsviously there's a concern about authentication, how do you know the files you're downloading are the ones you've requested? How do you know the mapfile hasn't been maliciously altered?
+        Hash authentication
+
+
+    Mapfile should probably keep track of the dates which clients last accessed a site, then release them from seed duties after a certain amount of time (assuming the number of peers is above a certain minimum to serve a negligabley small amount of traffic).
+

csjournals.txt

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+http://www.arxiv.org
+
+http://dl.acm.org
+
+www.computer.org/csdl

datnovel.txt

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+Character who is accutely allergic to cats, can sense when one is in the area
+
+the protagonist always approaches problems completely objectively, providing a platform to make an argument for moral objectivism
+
+Disease is rampant, but curable. Worsening climate, polluted air and water make a haven for otherwise fightable bacterium and viruses.
+
+Character is in a legally compromising situation when he sees an act of terrorism in the making, explosive is planted in some kind of public transportation and he understands that many people will die. Because of his gui

deadkidinthesink.txt

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+bouncy, jubilant
+
+dead kid in the sink
+and I think it's a 
+world of too- tomb- tumeric
+
+boo boo bouncing on someone elses back
+rub my knuckle nerves
+give me a switch blade
+
+Gabriel's pretending he's the sargeant
+at compound doubleyou take away the sunburns
+
+she's got the wax flit calm with it
+taking a wheel to the sky
+if you want to get high
+
+She looks dead when she's sunbathing
+I hope the sand sticks to her skin
+
+dumb diddos get the corn out your tum-mee
+and run me 
+
+<sample from 'The Step Mother 1972'>
+//whatever his name was// appears to have been on drugs at the time he was stran
+gled <--> therefore it must have been at around 2 in the morning/

dexterlyrics.txt

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+I'm just crude enough to be clever
+
+Lick-lined lips for colored chips
+
+smaller shallots have more intense flavor than the large ones
+
+Our children don't know nothing we don't teach 'em
+
+Just loose enough to get my mind clean
+
+She's saying something that's going to affect me, but I can't take my eyes off the glass and the lights
+
+Calloused mouth from sipping boiling water
+
+Washed down by booze men made from flesh
+
+Cops, cats, coccoons coccaine and death
+
+Wash my view out with the sky
+
+Ain't nothing but carbon in my lungs
+
+Dunno what I've become 'till I've became
+
+We distribute a hunred thousand feelings a week
+
+Kush, kicks, kanoos, king kong, and chess
+
+Lead paint and gasoline, put it in your pipe and toke
+
+One time you told me that I was nothing but a fat-ass and a joke
+
+It's sad but it's true 'cuz your not the only shrew I poke
+
+clinically cynical miracle master murdermind
+
+redevue with those grey demons fast on a track to philosophy
+
+hard to find anybody as soft rock as me
+
+
+if thats slanderous than pimpery is panderous
+
+scrape screeens in skinny jeans;
+
+My parents don't know that I can hear them through the walls
+
+If the bed is too small we can sleep in the tub
+
+
+I know that it's fine 'cuz there's blood on the sun
+
+there's a scratch on her lips where a hand used to be
+
+There's a star on her hat, stats in cahoots with a kissing booth
+
+fish scales, dragon tales, tax the television sales
+
+I can't recieve what I already have
+
+I can't bathe in the body I am
+
+I can't believe in the liquid I cling to
+
+I cannot raise myself to be a man
+
+Taking 

film/allnight.txt

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+scramble the frames at a medium low framerate while maintaining a more or less linear flow of the images
+
+show a series of medium close ups of people doing random things, concealing their eyes every time. Show a series of close ups of people doing the same things in a scrambled order while breaking the fourth wall and revealing just their eyes.    perhaps this whole thing would be interlaced with character movemets. 
+
+MCU of couple lying under a tree at night. Frame is altered to appear convex. fish eye or whatever. With the center of the frame dividing them.
+
+take a panorama image and shape it into a bow, then have a character walk around it
+
+cover up one vertical half of the screen with a character's profile, the other half a haphazardly tilting 
+
+for the fourth all night when the drums drop out, close up on the male's eyes, looking very tired, then glancing slightly off screen, then (maybe looking at the camera) curl subtley into a smile
+
+show interlacing shots of flashbacks of the couple getting ready in their respective households (graphically matched, possibly with parallel placement in its positioning along side the song)
+    probably the dirtier side of getting ready, putting paste in the guys hair, wiping three timesor washing genitals. 
+    extra attention to normal hygienic activities
+    both are visibly filled with giddy nervous energy about the meeting
+    show the guys hair being jelled as a cut from the girl ruffling it and similar things to provide graphical relevance 
+
+
+
+
+
+reverse the track for one long shot of a character walking backwards
+
+
+observations about the song itself:
+    Structure:
+        sloppy low fidelity bass intro
+        :09
+        intro
+            guitar apreggio plays 4 times before drums come in
+
+            drums and guitar play together 4 times then vocals
+
+        vocal verse 1
+            phrases devided into four measure loops, then four measures of major 7th variation and repeated
+            phrase 1
+
+                slight drop in the temperature
+                callous something but you'll never something in time
+                is captured, white out
+            phrase 2
+                :42
+                see the city something something something somethig
+                watch the rain drops cover the place
+                do you mind?
+                do you mind?
+           :58
+        bridge
+           phrase 3 - different
+                no, no, no, no, no I don't
+                no, no, no, no, no I don't
+                no, no no, no no I don't
+                no, no, no, no, no I don't
+            1:15
+            phrase 4 
+                roller coaster on whooooo
+                toniiiiiight
+                rollar coaster on whoooooooo
+                toniiiiiight
+                rollar coaster on whoooooooooooooo
+            1:39
+        chorus 
+            all night * 4
+            third is aggressive final attempt, fourth is futility and submission
+            2:18
+            four repeats of a militant reload
+        verse 2
+            phrase 1
+                starts like phrase 1 but more aggressive
+                the seventh chords get the beginning of a scream
+            phrase 2
+                gets quieter and more submissive the second time
+        bridge
+            vocals drop out where the 'no i don't's used to be 
+            phrase 4
+        chorus
+            identical, pretty much
+            the march at the end is sort of a dying spider arpeggiation which continues
+            the drums starts concluding, then let it ring once more, then starts hitting the crash every measure until it drops out
+            lets the guitar get in the last lick
+            drops out to laughing children
+
+
+
+
+rough sb:
+        sloppy low fidelity bass intro
+        --close ups of pictures of a young woman, sometimes as a baby, mounted on a wall
+        --sort of teases a zoom out
+        --reveals a sleeping middleaged couple in bed
+        --shows aperture of the doorway young woman will walk past
+        :09
+        intro
+            guitar apreggio plays 4 times before drums come in
+                --she walks with the rhythm of the picking
+                --illuminated in the doorway, and looks in
+                --maybe do something weird where you fade out the rest of the picture except the doorway
+                    --might be too early, can decide later
+
+            drums and guitar play together 4 times then vocals
+                --camera follows close behind her head as she walks out of the house, under some trees, a shitty car comes into view with its lights off
+
+
+        vocal verse 1
+            phrases devided into four measure loops, then four measures of major 7th variation and repeated
+            phrase 1
+
+                slight drop in the temperature
+                    --breif shots in the interior of the moving car, [a hand on a thigh](not yet), key spins in the ignition, maybe a shitty aux plugged ipod playing the say woos
+                callous fingers but you'll have it first in time
+                is captured, white out
+                    --quick, swirling wash out
+            phrase 2
+                :42
+                see the city something something something somethig
+                --an overexposed shot of a street light calms down and adjusts, then tilts down to the couple holding hands, joint in hand, getting rained on, lying down on the windsheild and looking at the sky
+                watch the rain drops cover the place
+                --shot from inside the car of them lying close and passing joint, synchronize the rain drops with the guitar's arpegiation by using hidden matte's pasting over all areas of the car without drops all over areas with drops, allowing them to drop one at a time in rhythm
+                do you mind?
+                --shot reverse shot of an exchange of smiles
+                do you mind?
+           :58
+        bridge
+           phrase 3 - different
+                --cuts double in pace, two shots per line, both are laughing and giddy, and soaked in a hella sexy way
+                no, no, no, no, no I don't
+                --chasing her with a water gun, (or mud balls)  she slips, he has to jump over him
+                --maybe just throwing mud actually
+                no, no, no, no, no I don't
+                --exchange of front shots of the couple on the merry go round, or whatever that wheel contraption is called
+                no, no no, no no I don't
+                --
+                no, no, no, no, no I don't
+                --sprinting and taking clothes off
+                --censored ass shot of jumping into the lake nude
+            1:15
+            phrase 4 
+                roller coaster on whooooo
+            --jerk cut to smiling and contented looking couple in the car. Girl in the foreground with the window down, feeling the breeze
+                toniiiiiight
+                --fella turns head to look on affectionatley
+                rollar coaster on whoooooooo
+                --maybe a hand on a thigh here
+                toniiiiiight
+                --then a hand on that hand
+                rollar coaster on whoooooooooooooo
+                --the same hands in an indoor setting, zoom out to reveal an apartment staircase, girl is being led up
+            1:39
+        chorus 
+            all night
+                --the instant as they walk into the door, the young man's face changes expression and becomes sinister, pulls her by her hair and throws her against 
+                --Girl opens her mouth to scream as the droning background scream comes on in the song
+                --On the crash symbol, he throws down some ceramic or glass object on the girl who is concealed by some furniture
+            all night
+                --Viscous running blood against fragments of whatever was thrown
+                --Walls shown with just a couple dots of blood appearing on them, maybe next to a relevant painting or something
+            all night
+                --Non-diegetic shots of meat being processed and butchered, maybe interlaced with something diegetic, maybe not
+                --Young man's hands pulling out paper plate next to that picture of sersei isowa's plates or whatever that japanese cannibal's name was
+            all night
+                --Young man is at the kitchen counter leaning in to take a bite of some meat
+                --As he turns his head to the side, the girl appears in his arms and they mack hard and breif
+            --------------------This is where I had to stop due to batteries, but I was thinking the babe would kill him in the next chorus and maybe put him in a blender and bathe in him
+            --at the end, they're both looking into each others eyes and then break the fourth wall and smile wildly as their mouths overflow with blood and it fades out 
+                --maybe parked in front of a playground or something
+                --nah
+            2:18
+            four repeats of a militant reload
+        verse 2
+            phrase 1
+                starts like phrase 1 but more aggressive
+                the seventh chords get the beginning of a scream
+            phrase 2
+                gets quieter and more submissive the second time
+        bridge
+            vocals drop out where the 'no i don't's used to be 
+            phrase 4
+        chorus
+            identical, pretty much
+            the march at the end is sort of a dying spider arpeggiation which continues
+            the drums starts concluding, then let it ring once more, then starts hitting the crash every measure until it drops out
+            lets the guitar get in the last lick
+            drops out to laughing children
+

film/ishouldbuildawebbot.txt

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+That scours IMDB looking for b-list acters, gathering their contact information and a couple movies they've been in
+actually I'd probably have to just find their names, then locate and extract information from facebook/linkedin whatever
+then it will automatically email all of them with a personalized message saying 
+'yo I'm an independant film maker
+I saw you in blah blah blah and blah blah blah
+I have a role I think you would be just perfect for
+Can't pay you upfront, 
+you're guarenteed so and so amount if this film is ever sold
+likely just to be shown at independant film festivals
+let me know if you're even remotely interested in working with me or doing independant films at this point in your career
+and we can talk about the substance of this project in more depth'
+
+