From e56c1157efd039b5d5350055b0c92601c770fbf3 Mon Sep 17 00:00:00 2001 From: Martin He <41821907+martin-he543@users.noreply.github.com> Date: Sun, 28 Aug 2022 16:51:14 +0100 Subject: [PATCH] Added piece statements --- README.md | 31 ++++++++++++++++++++++++++++++- 1 file changed, 30 insertions(+), 1 deletion(-) diff --git a/README.md b/README.md index 2590811..15c9893 100644 --- a/README.md +++ b/README.md @@ -1 +1,30 @@ -# sheet-music \ No newline at end of file +# Sheet Music + +##### The following is a showcase of various things I have composed and arranged over the years, to varying degrees of quality. + +## Compositions +### Opus 1 +- **Opus 1 No 1 "Enfance"** +##### Composed: October 2014 +Probably the first piece I ever composed in earnest for the "Rondo" brief given in Year 7 Music class. I still proudly (though misguidedly) maintain that this was the most-liked composition in my entire school's Noteflight whilst it was actively available. + +- **Opus 1 No 2 "Jeunesse"** +##### Composed: 2018 +The first, original *"Interpretation and Interpolation"* as it came to be known for Music class, which was rather just an enormous euphemism for ghostwriting coursework on a commission-wise basis. In this musical number, my teacher accused me of plagiarism Mozart. + +- **Opus 1 No 3 "Hubristique"** +##### Composed: 2018 - 2019 +A miserable piece with an noticeable second variation, inspired in the style of Chopin. I had the stupid idea of embedding a triplet within a triplet, and then just ran with it. The final variation is best described as a metaphorical scream of disillusionment, ending on a hopeful *tierce de picardie.* I was obsessed with the ideas of *hubris* from Classic Mythology at the time as well as Shakespeare (i.e. Macbeth), hence the title. + +- **Opus 1 No 4 "Souffrance"** +##### Composed: 2018 - 2019 +As the title suggest, suffering. I came up with the first variational motif in a garden shed whilst wearing a very large coat and shivering profusely. + +- **Opus 1 No 5 "Nostalgique"** +##### Composed: 2019 +A piece that was composed in under 30 minutes. Once the initial motif appeared in my head, in what can only be described as a interesting take on *Chim Chim Cheree*, the rest briskly followed. This piece takes a stroll exploring the relative major, before returning to the initial theme in a cyclical manner, with a wistful *coda* that embodies this nostalgia. As the fantastic *Raya Kostava* summed it up: *"it's sounds like you have the soul of a 70 year old French man smoking cigarettes on a balcony."* + +## Arrangements +- **Rather Be for Four Hands** +##### Arrangement: 2017 +Based on the fantastic song by Clean Bandit in 2014 which would not exit my brain for a good 5 years straight comes this arrangement. Originally intended for GCSE Ensemble performance coursework with a friend, Nick, eventually, this arrangement would be used to create versions for the violin (performed with the fantastic *James Hur*), as well as part of a set-list (with my friend Bruno). \ No newline at end of file