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     <main>
         <h1>Participatory Knowledge Practices in Analogue and Digital Image Archives (PIA)</h1>
 <p><a href="https://about.participatory-archives.ch">Participatory Knowledge Practices in Analogue and Digital Image Archives</a> (PIA) is a project funded by the Swiss National Science Foundation (SNSF) under the Sinergia funding scheme from February 2021 to January 2025.</p>
+<p>(...)</p>
 
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     <main>
         <h1>Research Outcomes</h1>
-<p>Research outcomes related to the PhD sorted alphabetically by category</p>
+<p>The main focus of this four-year endeavour was, of course, the completion of the <a href="thesis.html">dissertation</a>, submitted as a monograph. In addition, contributions were made through the publication of articles in peer-reviewed journals and conference proceedings, as well as writing a book chapter. Further essential activities included developing scripts for data collection and analysis, building data pipeline workflows, and designing and implementing data models, with a particular emphasis on using Linked Open Usable Data (LOUD) standards such as Linked Art, a metadata application profile for describing cultural heritage.</p>
+<p><em>The research outcomes related to the PhD are organised alphabetically by category, with the most recent ones listed first within each category.</em></p>
+<h2>Book Chapter</h2>
+<p>To be published</p>
+<h2>Conference Papers</h2>
+<p>Raemy, J. A., Gray, T., Collinson, A., &amp; Page, K. R. (2023). Enabling Participatory Data Perspectives for Image Archives through a Linked Art Workflow. In A. Baillot, W. Scholger, T. Tasovac, &amp; G. Vogeler (Eds.), <em>Digital Humanities 2023 Book of Abstracts</em> (Vol. 2023, pp. 515–516). Alliance of Digital Humanities Organizations (ADHO). <a href="https://doi.org/10.5451/unibas-ep95099">https://doi.org/10.5451/unibas-ep95099</a></p>
+<p>Felsing, U., Fornaro, P., Frischknecht, M., &amp; Raemy, J. A. (2023). Community and Interoperability at the Core of Sustaining Image Archives. <em>Digital Humanities in the Nordic and Baltic Countries Publications</em>, 5(1), 40–54. <a href="https://doi.org/10.5617/dhnbpub.10649">https://doi.org/10.5617/dhnbpub.10649</a></p>
+<p>Manz, M. C., Raemy, J. A., &amp; Fornaro, P. (2023). Recommended 3D Workflow for Digital Heritage Practices. <em>Archiving Conference</em>, 20, 23–28. <a href="https://doi.org/10.2352/issn.2168-3204.2023.20.1.5">https://doi.org/10.2352/issn.2168-3204.2023.20.1.5</a></p>
+<p>Raemy, J. A., &amp; Gautschy, R. (2023). Élaboration d’un processus pour les images 3D reposant sur IIIF. In S. Gabay, E. Leblanc, N. Carboni, R. Suciu, G. Lini, M. Barras, &amp; F. Idmhand (Eds.), <em>Recueil des communications du 4e colloque Humanistica</em> (pp. 1–3). Humanistica, l’association francophone des humanités numériques/digitales. <a href="https://doi.org/10.5451/unibas-ep94862">https://doi.org/10.5451/unibas-ep94862</a></p>
+<p>Raemy, J. A. (2022). Améliorer la valorisation des données du patrimoine culturel grâce au Linked Open Usable Data (LOUD). In N. Lasolle, O. Bruneau, &amp; J. Lieber (Eds.), <em>Actes des journées humanités numériques et Web sémantique</em> (pp. 132–149). Les Archives Henri-Poincaré - Philosophie et Recherches sur les Sciences et les Technologies (AHP-PReST); Laboratoire lorrain de recherche en informatique et ses applications (LORIA). <a href="https://doi.org/10.5451/unibas-ep89725">https://doi.org/10.5451/unibas-ep89725</a></p>
+<p>Raemy, J. A. (2021). Applying Effective Data Modelling Approaches for the Creation of a Participatory Archive Platform. In Y. Hou (Ed.), <em>Human Factors in Digital Humanities</em> (pp. 1–5). Institut des humanités digitales. <a href="https://doi.org/10.5451/unibas-ep87517">https://doi.org/10.5451/unibas-ep87517</a></p>
 <h2>Data Modelling</h2>
 <ul>
 <li>Cultural Anthropology Switzerland (CAS) Data Model for the database migration to the DaSCH Service Platform (DSP)</li>
 <li>PhD Linked Art Data Model</li>
 <li>PIA Linked Art Data Model</li>
 </ul>
+<h2>Journal Article</h2>
+<p>Cornut, M., Raemy, J. A., &amp; Spiess, F. (2023). Annotations as Knowledge Practices in Image Archives: Application of Linked Open Usable Data and Machine Learning. <em>Journal on Computing and Cultural Heritage</em>, 16(4), 1–19. <a href="https://doi.org/10.1145/3625301">https://doi.org/10.1145/3625301</a></p>
+<h2>Lecture</h2>
+<p>With Murielle Cornut, PhD Candidate in Cultural Anthropology at the time, we taught a 30-hour course during the Spring semester 2023 at the University of Basel: <a href="https://vorlesungsverzeichnis.unibas.ch/de/recherche?id=274163">67853-01 - Practical course: Bist du sicher, dass du dieses Foto löschen möchtest? Private Fotopraxis im Archivkontext</a></p>
 <h2>Posters</h2>
-<p>...</p>
-<h2>Publications</h2>
-<p>...</p>
+<p>Raemy, J. A., Gray, T., Collinson, A., &amp; Page, K. R. (2023, July 12). Enabling Participatory Data Perspectives for Image Archives through a Linked Art Workflow (Poster). <em>Digital Humanities 2023 Posters</em>. Digital Humanities 2023, Graz, Austria. <a href="https://doi.org/10.5281/zenodo.7878358">https://doi.org/10.5281/zenodo.7878358</a></p>
+<p>Raemy, J. A. (2022, October 20). Back and Forth from Boundary Objects to IIIF Resources: The Recipes of a Community-driven Initiative Specifying Standards. <em>DARIAH-CH Study Day 2022 Posters</em>. DARIAH-CH Study Day, Mendrisio, Switzerland. <a href="https://doi.org/10.5281/zenodo.7015256">https://doi.org/10.5281/zenodo.7015256</a></p>
+<h2>Preprints</h2>
+<p>Raemy, J. A., &amp; Demleitner, A. (2023). <em>Implementation of the IIIF Presentation API 3.0 based on Software Support: Use Case of an Incremental IIIF Deployment within a Citizen Science Project</em>. arXiv. <a href="https://doi.org/10.48550/ARXIV.2312.11116">https://doi.org/10.48550/ARXIV.2312.11116</a></p>
+<p>Raemy, J. A., &amp; Sanderson, R. (2023). <em>Analysis of the Usability of Automatically Enriched Cultural Heritage Data</em>. arXiv. <a href="https://doi.org/10.48550/arXiv.2309.16635">https://doi.org/10.48550/arXiv.2309.16635</a></p>
+<h2>Presentations</h2>
+<p>I have given a lot of presentations during my PhD. On this website, you can find a list of all the presentations that I self-host using Marp (Markdown Presentation Ecosystem): <a href="https://julsraemy.ch/prezi" target="_blank">https://julsraemy.ch/prezi</a></p>
+<h2>Report</h2>
+<p>Raemy, J. A. (2023). <em>Characterising the IIIF and Linked Art Communities: Survey report</em> (p. 29) [Report]. University of Basel. <a href="https://hal.science/hal-04162572">https://hal.science/hal-04162572</a></p>
 <h2>Software</h2>
 <p>...</p>
 

thesis.html

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             <li><a href="/thesis.html">Thesis</a></li>
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     <main>
         <h1>Linked Open Usable Data for Cultural Heritage: Perspectives on Community Practices and Semantic Interoperability</h1>
+<p>PhD Thesis in Digital Humanities affiliated with the Graduate School of Social Sciences' (G3S) doctoral programme. PDF Version on the University of Basel's repository: (...)</p>
+<p>Submitted on DD Month 2024</p>
+<h5>Author</h5>
 <p>Julien A. Raemy (University of Basel) <a href="https://orcid.org/0000-0002-4711-5759" target="_blank">
 <img alt="ORCID logo" src="https://info.orcid.org/wp-content/uploads/2019/11/orcid_16x16.png" width="16" height="16" />
 https://orcid.org/0000-0002-4711-5759
 </a></p>
-<p>PhD Thesis in Digital Humanities supervised by:</p>
+<h5>Supervisors</h5>
 <ul>
 <li>Prof. Dr. Peter Fornaro (University of Basel) <a href="https://orcid.org/0000-0003-1485-4923" target="_blank">
 <img alt="ORCID logo" src="https://info.orcid.org/wp-content/uploads/2019/11/orcid_16x16.png" width="16" height="16" />